Abstract

In the field of philosophy of history, the problem of historical representation has become one of the central points of interest during the past few decades. Through the publication of Hayden White’s influential Metahistory , Louis Mink’s studies of the narrative form, and recent openings in the so-called “new philosophy of history” , we have witnessed a new interest in the questions of narrativity and emplotment—that is, the ways in which historical knowledge is constructed through the creative activity of the historian. Although history deals with facts and real events, it is argued, this past reality is always given to us in a certain narrative form: historical explanation cannot merely employ universally valid causal laws because it concerns particular beings—humans, groups, institutions—and their intentions, which are bound to unique circumstances and contexts. Further, history is not just about facts or general ideas but involves an element ..