Abstract

ABSTRACT Joseph Addison played a key role in Nicholas Phillipson's pioneering studies of eighteenth-century Scottish culture and philosophy. Post-Union Scots were in search of renewed civic purpose now political power had headed to Westminster. They found it in Addison's Spectator essays discussing virtuous living. This article pays homage to Phillipson's work by expanding the scope of the study of Addison's reception in eighteenth-century Scotland. A survey of the publishing history of Addison's works north of the border indicates additional roles for the English essayist in Scotland. Addison's political works, especially his tragedy Cato, were drawn on by pro-Unionists and anti-Jacobites. His religious writings were held in high regard, while both High Flying and Moderate churchmen imitated his style. Addison was important as important within Scottish aesthetics as he was within the Humean discourse of civic morality, though, as with Hume's and Smith's treatment of Addison, Scottish aestheticists quickly superseded Addison's discussion of the ‘pleasures of the imagination’. There are, then, several additional ‘Addisons’ on top of those identified by Phillipson.