Abstract

The first in-depth engagement with and close reading of Anankè, this essay focuses on how Cixous's novel plays with and rewrites psychoanalytic concepts and practices. The critical elaboration of her own ‘cixanalysis’ in this fiction-as-becoming and journey, which reinvents psychoanalysis as it gives free creative rein to woman's desire instead of pathologizing it, unfolds in six related studies: on ‘conduct’, ‘habit’, staging, transference and/as translation, the interpretation of interpretation, and the shift from drive to drift in Cixous's fictional liberation of woman from destiny and destination.