Abstract

This essay examines how the Chicana feminist muralist Juana Alicia fosters environmental justice activism that values vulnerable lives in her two most famous murals, both painted at Twenty-Fourth and York Streets in San Francisco’s Mission District: Las Lechugueras (1983) and La Llorona’s Sacred Waters (2004). It explores how Juana Alicia gives visual form to an environmental ethics that prompts a politics of inclusion, equitable resource distribution, and bodily diversity. Juana Alicia’s murals remind us what antiracist, feminist, disability, environmental, and other social justice movements share: an investment in radical interdependence between different kinds of bodies and beings. They depict disabilities created by environmental hazards (including pollution, pesticide poisoning, and the privatization of water) without reducing disability to tragedy, prompting viewers to envision a world in which working-class communities of color are not forced to bear the brunt of environmental risk.