Philosophy Compass 7 (7):436-447 (2012)
While Roman Ingarden remains best known among English‐speaking philosophers and literary theorists for his work in aesthetics, and primarily for his study of the literary work of art, his studies in aesthetics and art belong in fact to the comprehensive program of phenomenological research in ontology and metaphysics that occupied him for his entire career. In this article I briefly describe this program of phenomenological research, then I discuss some of the major features of Ingarden’s analyses of works of art and the aesthetic experience
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References found in this work BETA
Aesthetic Genesis: The Origin of Consciousness in the Intentional Being of Nature.Jeff Mitscherling - 2009 - Upa.
Aristotelian Metaphysics and the Distinction Between Consciousness and the Real World in Husserl and Ingarden.Jeff Mitscherling - 2010 - Polish Journal of Philosophy 4 (2):137-156.
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