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Roman Ingarden’s Aesthetics
Philosophy Compass 7 (7):436-447 (2012)
Abstract
While Roman Ingarden remains best known among English‐speaking philosophers and literary theorists for his work in aesthetics, and primarily for his study of the literary work of art, his studies in aesthetics and art belong in fact to the comprehensive program of phenomenological research in ontology and metaphysics that occupied him for his entire career. In this article I briefly describe this program of phenomenological research, then I discuss some of the major features of Ingarden’s analyses of works of art and the aesthetic experienceAuthor's Profile
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Citations of this work
The Intersection of Hans-Georg Gadamer and Roman Ingarden in the Hermeneutic Experience of Fictional Worlds.Thomas Jurkiewicz - 2022 - Journal of the British Society for Phenomenology 54 (2):99-112.
The Intersection of Hans-Georg Gadamer and Roman Ingarden in the Hermeneutic Experience of Fictional Worlds.Thomas Jurkiewicz - 2023 - Journal of the British Society for Phenomenology 54 (2):99-112.
References found in this work
The Literary Work of Art. Investigations on the Borderlines of Ontology, Logic and the Theory of Literature.Roman Ingarden - 1973 - Evanston,: Northwestern University Press.
The phenomenology of aesthetic experience.Mikel Dufrenne - 1973 - Evanston [Ill.]: Northwestern University Press.
The Work of Music and the Problem of its Identity.Roman Ingarden - 1986 - University of California Press.
Ontology of the Work of Art: The Musical Work; The Picture; The Architectural Work; The Film.Roman Ingarden, Raymond Meyer & John T. Goldthwait - 1990 - Journal of Aesthetics and Art Criticism 48 (1):85-87.
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