Abstract

Certain lives are transcribed like musical scores that compose themselves in a transparent register and whose traces—memories and written works—remain present, long-lasting or eternal. In a way, biography consists in deciphering them, then recomposing them through some process—condensation, for example—in modifying chronological time into writing-reading time or in shifting, regrouping certain facts or certain parameters. In some cases we discover that they give a dynamic and structure homologous or very near to those of narratives, epics or marvelous tales. The life of Lou Andreas-Salomé belongs to these cycles that are, in some respects, exceptional.