Debates in Aesthetics 17 (2):15-36 (2022)

Abstract
The essay aims to examine possible readings of disability in the context of visual art, especially regarding bodies prosthetised in unexpected ways. To do that, I will analyse two performances, participated/created by Lisa Bu- fano and Aimee Mullins, which employ prosthetics that distance them from the mimicry of human limbs. I will briefly contextualize them in the history of prosthetics. I will observe how their peculiarity and non-human forms can serve aesthetic and destabilizing purposes regarding the contours of disability. I will especially mention their potentiality regarding disabled bodies’ mobility in space and their relationship with tools. The association between a disabled body and non-human traits carries several symbolic meanings and might also produce risks. Generally, they can update the perspectives on the crafting of creative assemblages that start from impaired bodies. In conclusion, I will observe how Bufano’s art entails more promises on an ethico-political level.
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References found in this work BETA

A Theoretical Framework for the Critical Posthumanities.Rosi Braidotti - 2019 - Theory, Culture and Society 36 (6):31-61.
Philosophy of Dance and Disability.Joshua M. Hall - 2018 - Philosophy Compass 13 (12):e12551.

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James Gillingham, Aimee Mullins, and Matthew Barney1.Marquard Smith - 2006 - In Lennard J. Davis (ed.), The Disability Studies Reader. Psychology Press. pp. 309.
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