Bazin's Modernism

Paragraph 36 (1):10-30 (2013)
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Abstract

One of the basic assumptions about André Bazin's theory of cinema has been that his idea of realism stands in direct opposition to modernism. In this article, I further develop a revised account of Bazin's realism that I have offered elsewhere, which rethinks the basic assumptions of ontology and realism in his work. This brings Bazin into a surprising affinity with tenets of high modernism. From this position, a re-examination of his engagement with the films of Orson Welles not only shows Bazin to be wrestling with those issues in his criticism but also provides a way to rethink a number of positions in film theory that have historically been associated with a stringently reflexive modernism.

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Bazin, an Early Late Modernist.Cato Wittusen - 2019 - Journal of Aesthetics and Art Criticism 77 (3):295-306.

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