European Journal of Philosophy 23 (4):909-932 (2015)

Some artistic representations—the painting of a hat in a famous picture by Rembrandt is an example—are able to present vividly the character of what they represent precisely by calling attention to their medium of representation. There is a puzzle about this whose structure, I argue, is analogous to that of a familiar Kantian problem for traditional realism. I offer a precise characterization of the puzzle, before arguing that an analogue for the case of representation to the Kantian solution to the problem for traditional realism is implausible. I offer an alternative solution to the puzzle about representation which also explains why we should be interested in artistic representation in the first place. I close with the outline of a possible realist response to the traditional Kantian problem
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Reprint years 2013, 2015
DOI 10.1111/ejop.12019
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References found in this work BETA

Naming and Necessity.Saul Kripke - 1980 - Harvard University Press.
The View From Nowhere.Thomas Nagel - 1986 - Oxford University Press.
Critique of the Power of Judgment.Immanuel Kant - 2000 - Cambridge University Press.
Naming and Necessity.Saul Kripke - 1980 - In Darragh Byrne & Max Kölbel (eds.), Philosophy. Routledge. pp. 431-433.
Critique of Pure Reason.Immanuel Kant - 1991 - In Elizabeth Schmidt Radcliffe, Richard McCarty, Fritz Allhoff & Anand Vaidya (eds.), Philosophy and Phenomenological Research. Blackwell. pp. 449-451.

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