Irony and the Work of Art: Hegelian Legacies in Robert Smithson
Evental Aesthetics 1 (1):45-73 (2012)
Abstract
This paper utilizes Robert Smithson's philosophy as a kind of counterpoint, rather than refutation, to many of Hegel's convictions on the nature and function of art in world historical spiritAuthor's Profile
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Citations of this work
Aesthetics After Hegel (Volume 1, Number 1, 2012).Evental Aesthetics - 2012 - Evental Aesthetics 1 (1):1-138.
References found in this work
Can Philosophy Laugh at Itself? On Hegel and Aristophanes.William Desmond - 1989 - The Owl of Minerva 20 (2):131-149.
The Limits of Contradiction: Irony and History in Hegel and Henry Adams.Joseph G. Kronick - 1986 - Clio: A Journal of Literature, History, and the Philosophy of History 15 (4):391-410.
Hegel's theory of comedy in the context of hegelian and modern reflections on comedy.Mark W. Roche - 2002 - Revue Internationale de Philosophie 3:411-430.
Hearkening to Thalia: Toward the Rebirth of Comedy in Continental Philosophy.Bernard Freydberg - 2009 - Research in Phenomenology 39 (3):401-415.
