Abstract

When phenomenological descriptions of perceptual experience are given it often seems that the distinction between mode and content of perceptual experience is not given the attention it deserves and that consequently certain philosophical difficulties develop which might have been avoided. While it will no doubt be admitted that the distinction between the “how” and the “what” of appearing is of importance in the phenomenology of perception, at first sight the making of such a distinction may seem so simple as to be hardly worth discussing. It may seem to involve a mere matter of distinguishing modifiers of the verb “to perceive” from this verb's direct objects and their modifiers, but further consideration shows the situation is not that simple. In some cases there are alternative ways of phenomenological description such that what one description seems to indicate to be content is what the other description seems to indicate to be mode, and yet the two descriptions are seen to be equivalent in intent. If we analyze one expression in accordance with its grammar then the alternative expression must be considered idiomatic, that is, not analyzable in accordance with its grammar, for otherwise the two expressions could not be considered compatible.