Aesthetics as Philosophy of Perception

Oxford University Press UK (2016)

Authors
Bence Nanay
University of Antwerp
Abstract
Bency Nanay brings the discussion of aesthetics and perception together, to explore how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and about experiences in general. He focuses on the concept of attention and the ways in which the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics. Sometimes our attention is distributed in an unusual way: we are attending to one perceptual object but our attention is distributed across its various properties. But in other aesthetic contexts our attention is not at all distributed but very much focused. The book closes with an analysis of some paradigmatic aesthetic phenomena in which this is the case: identification and engagement with fictional characters. It argues that the conflict and interplay between distributed and focused attention is an important feature of many artworks.
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Reprint years 2018
ISBN(s) 9780199658442   9780198811619
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Citations of this work BETA

The Motivational Structure of Appreciation.Servaas van der Berg - 2019 - Philosophical Quarterly 69 (276):445-466.
Trompe L’Oeil and the Dorsal/Ventral Account of Picture Perception.Bence Nanay - 2015 - Review of Philosophy and Psychology 6 (1):181-197.
The Historical Ontology of Art.Rafael De Clercq - forthcoming - Philosophical Quarterly.
E luce fu… L’evidenza senza ombre della bellezza.Roberta Guccinelli - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (1):145-158.

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Similar books and articles

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