Screen 57 (2):124-143 (2016)

Authors
Ted Nannicelli
University of Queensland
Abstract
The prevailing view in television studies is that evaluative criticism involves the expression of wholly subjective tastes or attitudes. Moreover, the idea that evaluative judgements could be in any way objective or truthful tends to be greeted with deep scepticism and suspicion. This essay argues that the prevailing view – ‘expressivism’ – is unsatisfactory and unsustainable, and it advances a moderate version of objectivism.
Keywords aesthetics  television  artistic value
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