The Aesthetic Experience of Artworks and Everyday Scenes

The Monist 101 (1):71-82 (2018)
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Abstract

Some of our aesthetic experiences are of artworks. Some others are of everyday scenes. The question I examine in this paper is about the relation between these two different kinds of aesthetic experience. I argue that the experience of artworks can dispose us to experience everyday scenes in an aesthetic manner both short-term and long-term. Finally, I examine what constraints this phenomenon puts on different accounts of aesthetic experience.

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Bence Nanay
University of Antwerp

Citations of this work

The Value of Consciousness.Uriah Kriegel - 2019 - Analysis 79 (3):503-520.
How artworks modify our perception of the world.Alfredo Vernazzani - 2023 - Phenomenology and the Cognitive Sciences 22 (2):417-438.
How Artworks Modify our Perception of the World.Alfredo Vernazzani - 2021 - Phenomenology and the Cognitive Sciences 22 (2):1-22.
Aesthetic Experience as Interaction.Bence Nanay - 2024 - Journal of the American Philosophical Association 10 (4):715-727.

View all 7 citations / Add more citations

References found in this work

The silence of the senses.Charles Travis - 2004 - Mind 113 (449):57-94.
Defining art historically.Jerrold Levinson - 1979 - British Journal of Aesthetics 19 (3):21-33.
The Pervasiveness of the Aesthetic in Ordinary Experience.Sherri Irvin - 2008 - British Journal of Aesthetics 48 (1):29-44.
Refining art historically.Jerrold Levinson - 1989 - Journal of Aesthetics and Art Criticism 47 (1):21-33.
Aesthetic experience revisited.Noël Carroll - 2002 - British Journal of Aesthetics 42 (2):145-168.

View all 12 references / Add more references