Symposium 12 (1):29-43 (2008)

Radu Neculau
University of Windsor
Kant identified in the “spectators’” enthusiastic response to the French Revolution the clear sign of a moral disposition in humankind. Following Hannah Arendt’s classic interpretation, but departing from it in important respects, I attempt to show in this paper that the “spectatorial” account of Kant’s view of the French Revolution makes sense only if it is understood in terms of a subject’s aesthetic response to objects of natural sublimity, and only if this aesthetic experience is instrumentalized for purposes of moral education
Keywords Contemporary Philosophy  Continental Philosophy
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ISBN(s) 1917-9685
DOI 10.5840/symposium20081213
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