Abstract

In this paper, I sketch out the way our bodies are engaged while commuting in order to elucidate several key aspects of the bodily experience of “in-between-ness.” I discover that within the rhythm and movement of the in-between, our bodies can open to a specific kind of conceptual creativity—an insight that I unfold in reference to the unanticipated innovation and transformation that accompanies other bodily experiences of in-between-ness more generally. This sketch, however, also demands that I reflect on phenomenological methodology, and our ontological presuppositions about the “things” that we intend to “go back to.” I conclude by suggesting that while Deleuze and Guattari’s rhizomatic ontology helps us explain the findings of my phenomenological sketch of commuting, Merleau-Ponty’s embodied phenomenology can help to flesh out (quite literally) Deleuze and Guattari’s suggestion that all the work happens in “the logic of the AND” ( A Thousand Plateaus 25). While the method I call on in this paper is decidedly phenomenological, the conclusions I reach invite me to explore further the promise of a more “rhizomatic phenomenological” practice.