Oxford University Press (1967)

Abstract
In The Birth of Tragedy Nietzsche expounds on the origins of Greek tragedy and its relevance to the German culture of its time. He declares it to be the expression of a culture which has achieved a delicate but powerful balance between Dionysian insight into the chaos and suffering which underlies all existence and the discipline and clarity of rational Apollonian form. In order to promote a return to these values, Nietzsche critiques the complacent rationalism of late nineteenth-century German culture and makes an impassioned plea for the regenerative potential of the music of Wagner. A wide ranging discussion of the nature of art, science, and religion, The Birth of Tragedy's argument raises important questions about the problematic nature of cultural origins which are still valid today.
Keywords Greek drama (Tragedy History and criticism  Tragic, The  Ethics  Music Philosophy and aesthetics  Aesthetics
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Call number B3313.G42.E55 2000
ISBN(s) 9780199540143   9780760780862   0199540144   0760780862   1983810088   1935238906   9780486285153   0486285154   1522054758   1843797275   1722707453   1420958259   116968436X   0192832921   0385092105   1161457607   625741105X
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Aesthetic Reasons.McGonigal Andrew - forthcoming - In Daniel Star (ed.), The Oxford Handbook of Reasons and Normativity. Oxford: Oxford University Press.
The Virtues of Unknowing.Richard Smith - 2016 - Journal of Philosophy of Education 50 (2):272-284.
Philosophy as Total Axiomatics: Serious Metaphysics, Scrutability Bases, and Aesthetic Evaluation.Uriah Kriegel - 2016 - Journal of the American Philosophical Association 2 (2):272-290.

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