Springer (2019)

Authors
Laura T. Di Summa (formerly Di Summa-Knoop)
William Paterson University of New Jersey
Noel Carroll
CUNY Graduate Center
Abstract
This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
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ISBN(s) 978-3-030-19600-4   978-3-030-19601-1   3030196003   3030196038   9783030196004
DOI 10.1007/978-3-030-19601-1
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Inaugurating Philosophy of Film Without Theory.Craig Fox & Britt Harrison - 2020 - Aesthetic Investigations 3 (2):175-184.

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