From Oblivion to Post-History: Sublime Othering in Rider Haggard and W. E. B. Du Bois

The European Legacy 24 (6):617-643 (2019)

Abstract
ABSTRACTThis article addresses the ways in which art and philosophy have been discursively used to conceptualize critical political changes and frame narratives of liberation by including and excluding primitive consciousness simultaneously. More concretely, it analyzes the contribution of art and philosophy to the understanding of history and post-history through different representations of black bodies, black desires, and black agencies in the novels She by Rider Haggard and The Quest of the Silver Fleece by W. E. B. Du Bois. At stake is the question of the archeology of the past as a living memory in the post-historical time. This past is politically relevant especially if its cognitive fossils negate the idea of exhausted primitive consciousness in the modern world and give meanings to incongruous bedfellows such as civilization and slavery, neoliberalism and poverty, democracy and Nazism, globalization, terrorism and racism, liberalism and homophobia. Arguably, the triumph of scientifi...
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DOI 10.1080/10848770.2019.1611224
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Aesthetic Theory.Henry L. Shapiro & T. W. Adorno - 1986 - Philosophical Review 95 (2):288.

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