Abstract
In his travels, and in his accompanying readings, he had come to the conclusion that the essential secret of life was harmony. . . . And he proceeded to put his philosophy into practice by forcing order into the established world, translating the mystic word harmony into the practical word organisation.1 Harmony becomes organization. And Gerald dedicates himself to work, to feverish, totally absorbing work, inspired with an almost religious exaltation in his fight with matter. The world is split in two: on one side matter , on the other side his own isolated will. He wants to create on earth a perfect machine, "an activity of pure order, pure mechanical repetition"; a man of the twentieth century with no nostalgia for the superannuated ideals of Christianity or democracy, he wishes to found his eternity, his infinity, in the machine. So inchoate and mysterious is the imaginative world Lawrence creates for Women in Love that we find no difficulty in reading Gerald Crich as an allegorical figure in certain chapters and as a quite human, even fluid personality in others. As Gudrun's frenzied lover, as Birkin's elusive beloved, he seems a substantially different person from the Gerald Crich who is a ruthless god of the machine; yet as his cultural role demands extinction , so does his private emotional life, his confusion of the individual will with that of the cosmos, demand death—death by perfect cold. He is Lawrence's only tragic figure, a remarkable creation on a remarkable novel, and though it is a commonplace thing to say that Birkin represents Lawrence, it seems equally likely that Gerald Crich represents Lawrence—in his deepest, most aggrieved, most nihilist soul. · 1. All quotations from Women in Love are taken from the Modern Library edition. Joyce Carol Oates' works include the novels Childhood, Son of the Morning, and a collection of short stories, Night-Side. “Lawrence’s Götterdämmerung” is part of a larger work exploring tragedy and comedy. Her contributions to Critical Inquiry include "Jocoserious Joyce" , and "The Picture of Dorian Gray: Wilde's Parable about the Fall"