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Irving Singer's Reality Revisited, on Three Philosophical Filmmakers: Hitchcock, Welles and Renoir
Film-Philosophy 9 (4) (2005)
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Review: Three Philosophical Filmmakers: Hitchcock, Welles, Renoir. [REVIEW]C. W. Denker - 2005 - British Journal of Aesthetics 45 (3):308-309.
Singer, Irving. Reality Transformed: Film as Meaning and Technique. [REVIEW]Brian J. Fox - 2000 - Review of Metaphysics 54 (2):456-458.
What Russell got right.Christopher Hitchcock - 2007 - In Huw Price & Richard Corry (eds.), Causation, Physics, and the Constitution of Reality: Russell's Republic Revisited. Oxford University Press.
Review: Hitchcock as philosopher by Yanal, Robert J. [REVIEW]Aaron Smuts - 2007 - Journal of Aesthetics and Art Criticism 65 (3):339–341.
Hotels on the Border: Cinematic Situations of Transgression and Transcendence.Melinda Campbell - 2011 - In Hyperborean Wind: Reflections on Design and the City.
Review of Irving Singer, Philosophy of Love: A Partial Summing-Up. [REVIEW]Erica Lucast Stonestreet - 2009 - Notre Dame Philosophical Reviews 2009 (6).
Review of Irving Singer, Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity. [REVIEW]Thomas E. Wartenberg - 2008 - Notre Dame Philosophical Reviews 2008 (5).
The argument from illusion: All appearance and no reality.S. V. Bokil - 2005 - Indian Philosophical Quarterly 32 (1-2):147-158.
The Definition of More Valuable.Moreland Perkins & Irving Singer - 1952 - Analysis 13 (6):140 - 143.
Santayana and the ontology of the photographic image.Irving Singer - 1977 - Journal of Aesthetics and Art Criticism 36 (1):39-43.
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