Picturesque Landscape Painting and Environmental Aesthetics

Journal of Aesthetic Education 49 (2):39-61 (2015)
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Abstract

Many environmental aestheticians—most prominently, Allen Carlson—have drawn a distinction between “arts-based” and “nature-based” approaches to the aesthetics of nature and have argued that the widespread practice of using arts-based theories and categories to understand the aesthetics of nature is a mistake. This practice, they argue, should be rejected and replaced by a practice in which an aesthetics of nature based on a clear, scientifically grounded understanding of the environment is used to appraise nature. In this paper, I will challenge important parts of this argument through a discussion of an example often used by these environmental aestheticians in developing their arguments: namely, landscape..

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Citations of this work

Environmental aesthetics.Allen Carlson - 2008 - Stanford Encyclopedia of Philosophy.

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References found in this work

Nature and positive aesthetics.Allen Carlson - 1984 - Environmental Ethics 6 (1):5-34.
Appreciating Nature on Its Own Terms.Yuriko Saito - 1998 - Environmental Ethics 20 (2):135-149.
Appreciating Nature on Its Own Terms.Yuriko Saito - 1998 - Environmental Ethics 20 (2):135-149.
The great theory of beauty and its decline.Wladyslaw Tatarkiewicz - 1972 - Journal of Aesthetics and Art Criticism 31 (2):165-180.
Formal Qualities in the Natural Environment.Allen Carlson - 1979 - The Journal of Aesthetic Education 13 (3):99.

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