A Human-Animal Relational Aesthetic: Towards a Zoophilic Representation of Animals in Art [Book Review]

Biosemiotics 6 (2):231-243 (2013)

Abstract
The systematic examination of the visual depiction of nonhuman animals by humans, and the representation of nonhuman animal imagery is an opportunity to observe varying degrees of anthropocentrism in the manner in which the nonhuman animal is represented. The investigation we present ventures beyond the traditional scope of post-modern human alterity and suggests that an Otherness status should be extended to encompass both the human animal and the nonhuman animal. An important motivation for seriously considering nonhuman animal experience is the biological similarities shared by human animals and nonhuman animals. Many perspectives toward the nonhuman animal have ignored such similarities, and this in turn results in the infliction of much trauma and injustice on nonhuman animals. We argue that the visual representation of nonhuman animals has the potential, to a substantial degree, to affect the general human understanding of and interactions with all nonhuman animals, and with positive, neutral, and negative implications for all involved. In other words, it really matters how we represent animals
Keywords Animal interaction  Non-human representation  Alterity portrayal  Visual  Depiction  Detriment  Post-modern animal
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DOI 10.1007/s12304-012-9157-1
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References found in this work BETA

When Species Meet.Donna J. Haraway - 2007 - Univ of Minnesota Press.
Speciesism and Moral Status.Peter Singer - 2009 - Metaphilosophy 40 (3-4):567-581.

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