A Universality Not Based on Concepts: Kant's Key to the Critique of Taste

Kantian Review 13 (1):1-51 (2008)
Abstract
‘Beautiful is what, without a concept, is liked universally.’ Thus ends the second Moment of the Analytic of the Beautiful in Kant's Critique of Judgment.What could yield a non-conceptual universality? Kant finds this in the harmonious ‘free play’ of the mental powers, which he characterizes as a mental state that is both non-cognitive and inherently universally valid. In general, any interpretation of Kant's aesthetic theory will depend on the view of its relationship to cognition. This relationship itself should be understood in reference to Kant's notion of the mental state in judging generally, as presented in the Critique of Judgment
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DOI 10.1017/S1369415400001084
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On the Key to Kant's Critique of Taste.Hannah Ginsborg - 1991 - Pacific Philosophical Quarterly 72 (4):290-313.
Essays in Kant's Aesthetics.Ted Cohen & Paul Guyer - 1983 - Journal of Aesthetics and Art Criticism 41 (3):337-340.
Studies in Kant's Aesthetics.T. J. Diffey & Eva Schaper - 1980 - Philosophical Quarterly 30 (121):356.

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