Abstract

In January 1776, Thomas Paine demanded to know whether “the Power of feeling” did not require that American colonists declare independence from Great Britain. Paine's efforts included an appeal to “common sense,” to the idea that it was only natural for colonists to end their ties with Britain. For Paine, independence did not depend on elaborately wrought arguments; instead, it should be obvious to all, even the most unlettered. His own emotionally charged language—the king was akin to a “crowned ruffian” descended from “a French Bastard landing with an armed Banditti”—sought to stir even those who still longed for reconciliation to “examine the passions and feelings of mankind” and to throw off the yoke of oppression. Paine's formulations, like these two books, raise numerous questions. How significant has the expression of emotion been in American history? How far can scholars go in attributing to it sufficient momentum to effect major historical change? Can something so universal be harnessed into nationalist political trajectories? Should America be seen as having a unique emotional culture in the eighteenth century? Did this exceptional culture of feeling contribute to the Revolution itself? These two authors answer yes to the last three questions, thus prompting re-evaluation of the “power of feeling” in the American Revolution itself.