Patterns of verbal interaction in newly formed music ensembles

Frontiers in Psychology 13 (2022)
  Copy   BIBTEX

Abstract

Ensemble rehearsal in the European classical music tradition has a relatively homogenised format in which play-through, discussion, and practice of excerpts are employed to establish and agree on performance parameters of notated music. This research analyses patterns in such verbal communication during rehearsals and their development over time. Analysing two newly established ensembles that work over several months to a performance, it investigates the interaction dynamics of two closely collaborating groups and adaptation depending on task demands, familiarity with each other and an upcoming deadline. A case study approach with two groups of five singers allowed in-depth exploration of individual behaviours and contributions; results are reported descriptively and supported by qualitative data. The results highlight changes over time that reflect the development of implicit interactions from explicit. They show a trajectory of opening up and closing down in terms of interactional flexibility, enabling members to significantly contribute to the group, followed by tightening the interaction to establish stability for performance. These findings and novel employment of T-pattern analysis contribute to the understanding of human group behaviour and interaction patterns leading to expert team performance.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,386

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Moribund music: can classical music be saved?Carolyn Beckingham - 2009 - Portland: Sussex Academic Press.
Music and ethics.Marcel Cobussen - 2012 - Burlington: Ashgate. Edited by Nanette Nielsen.
Music.Nicholas Cook - 2010 - New York, NY: Sterling.
In the Defence of Musical Meaning.Una Popovic - 2019 - Filozofija I Društvo 30 (1):83-98.
Lisa McCormick. Music as Social Performance. [REVIEW]Mariya Polikashina - 2010 - Russian Sociological Review 9 (2):106-111.
Music & meaning.Jenefer Robinson (ed.) - 1997 - Ithaca [N.Y.]: Cornell University Press.

Analytics

Added to PP
2022-11-02

Downloads
2 (#1,784,141)

6 months
2 (#1,232,442)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations