Similar books and articles
The Art of Recording and the Aesthetics of Perfection.Andy Hamilton - 2003 - British Journal of Aesthetics 43 (4):345-362.
Freedom and Responsibility: The Aesthetics of Free Musical Improvisation and Its Educational Implications—A View From Bakhtin. Kanellopoulos - 2011 - Philosophy of Music Education Review 19 (2):113-135.
Review: The Improvisation of Musical Dialogue: A Phenomenology of Music. [REVIEW]A. Gritten - 2005 - British Journal of Aesthetics 45 (2):197-199.
“What Has Coltrane to Do With Mozart: The Dynamism and Built-in Flexibility of Music”.Cynthia R. Nielsen - 2009 - Expositions 3:57-71.
Ways of the Hand: The Organization of Improvised Conduct.David Sudnow - 1978 - Harvard University Press.
An Ethics of Improvisation: Aesthetic Possibilities for a Political Future.Tracey Nicholls - 2012 - Lexington Books.
Improvisation, Temporality and Embodied Experience.Vijay Iyer - 2004 - Journal of Consciousness Studies 11 (3-4):159-173.
Composition, Improvisation, Constitution: Forms of Life in the Music of Pierre Boulez and Ornette Coleman.Timothy S. Murphy - 1998 - Angelaki 3 (2):75 – 102.
Added to PP
Historical graph of downloads
Citations of this work
Improvisation and thinking in movement: an enactivist analysis of agency in artistic practices.Susanne Ravn & Simon Høffding - 2022 - Phenomenology and the Cognitive Sciences 21 (3):515-537.
References found in this work
No references found.