Abstract

Kant calls judgements of adherent beauty impure aesthetic judgements because they presuppose the empirical concept of the object and are thus not determined exclusively by a feeling of pleasure. Glossed over in Kant’s account is what kind of universality these judgements have. This article argues that the subjective universality of pure aesthetic judgements and the objective universality of cognitive judgements do not merge in impure aesthetic judgements and that the tension between them reaches also into Kant’s pure aesthetic judgements with their unstable relations between the pleasure of the a priori harmony of the faculties and the empirical object named beautiful. Pleasure, which for Kant is communicable while nonetheless not being discursive, is always to some extent lost for words.