The article focuses on Kurt Vonnegut’s lesser-known and underappreciated 1987 novel Bluebeard, which is analyzed and interpreted in the light of Marianne Hirsch’s seminal theory of postmemory. Even though it was published prior to Hirsch’s formulation of the concept, Vonnegut’s novel intuitively anticipates it, problematizing the implications of inherited, second-hand memory. To further complicate matters, Rabo Karabekian, the protagonist-narrator of Bluebeard, a World War II veteran, amalgamates his direct, painful memories with those of his parents, survivors of the Armenian Genocide. Both the novel and the theory applied to it centre on the problematics of historical and personal trauma, engendered by two genocides which are often the object of comparative analyses: the Armenian Genocide, also referred to as the Armenian Holocaust, and the Jewish Holocaust. The latter is central to Hirsch’s interdisciplinary work in the field of memory studies, encompassing literature, the visual arts and gender studies. In Bluebeard, Vonnegut holds to account a humanity responsible for the atrocities of twentieth-century history: two world wars and two genocides for which they respectively established the context. The article examines the American writer’s reflection on death and violence, man’s destructive impulse and annihilation. In a world overshadowed by memories of mass extermination, Vonnegut interrogates the possibility of a new beginning, pointing to women as agents of renewal and sociopolitical change. He also identifies the role that art plays in the process of potential reconstruction, the story of Karabekian, a failed artist and highly successful art collector, being a Künstlerroman with a feminist edge.
Keywords No keywords specified (fix it)
Categories (categorize this paper)
DOI 10.18778/2083-2931.11.16
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy

Upload a copy of this paper     Check publisher's policy     Papers currently archived: 70,130
External links

Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library

References found in this work BETA

No references found.

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles

Hirsch, Sebald, and the Uses and Limits of Postmemory.Kathy Behrendt - 2013 - In Russell J. A. Kilbourn & Eleanor Ty (eds.), The Memory Effect: The Remediation of Memory in Literature and Film. Wilfrid Laurier University Press. pp. 51-67.
Afterimages: Belated Witnessing in the Photographs of the Armenian Catastrophe.Emmanuel Alloa - 2015 - Ournal of Literature and Trauma Studies 4 (1):43-65.
The Psychology of Genocide.Kristen Monroe - 1995 - Ethics and International Affairs 9.
The Role of Religion in the Fate of the Armenian People.Armen Kolyayi Sahakyan - 2019 - Humanistyka I Przyrodoznawstwo 24:347-357.
Between Genocide and "Genocide". [REVIEW]Berel Lang - 2011 - History and Theory 50 (2):285-294.


Added to PP index

Total views
3 ( #1,357,660 of 2,506,443 )

Recent downloads (6 months)
3 ( #209,812 of 2,506,443 )

How can I increase my downloads?


My notes