Deleuze and Guatarri Studies 5 (2):261-274 (2011)

Abstract
This essay presents some thoughts on schizoanalysis and visual culture around the proposition that cinema survives in the digital age as a type of image that, after the movement-image and the time-image, could be called the neuro-image. By considering clinical schizophrenia as ‘degree zero’ of schizoanalysis in a more critical sense, a reading of The Butterfly Effect unfolds the temporal dimensions of schizoanalysis as typical for a definition of ‘the neuro-image’. The argument is that the neuro-image speaks from the (always speculative) future.
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DOI 10.3366/dls.2011.0020
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References found in this work BETA

The Memory of Another Past: Bergson, Deleuze and a New Theory of Time.Alia Al-Saji - 2004 - Continental Philosophy Review 37 (2):203-239.
Cinema 1: The Movement Image.Gilles Deleuze, Hugh Tomlinson & Barbara Habberjam - 1988 - Journal of Aesthetics and Art Criticism 46 (3):436-437.

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Citations of this work BETA

A Deleuzian Cineosis: Cinematic Semiosis and Syntheses of Time.David Deamer - 2011 - Deleuze and Guatarri Studies 5 (3):358-382.
Flashforward: The Future is Now.Patricia Pisters - 2011 - Deleuze and Guatarri Studies 5 (Suppl):98-115.

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