Archives de Philosophie 74 (3):439-456 (2011)

Delia Popa
Villanova University
Creation and passibility sketch the new phenomenological style present in the Henri Maldiney’s descriptions. Yet it would be impossible to find a way in the aperture made possible by this new phenomenological practice if some returns weren’t operated towards the first places where phenomenology was born. This paper aims to underline some crossings between the phenomenology of Henri Maldiney and the phenomenology of Edmund Husserl in order to think over about the task of the phenomenological description. Following Maldiney’s example, the construction of a method which occupied Husserl’s main work must be completed by its transformations, to be discovered in its application.
Keywords Présence   Image   Sens   Intentionnalité   Réalité
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Salvation in the Rhythm? Crisis and Limitation in Henry Maldiney.Carmelo Colangelo - 2021 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 14 (2):169-179.

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