Radical Philosophy Review 12 (1-2):87-103 (2009)
AbstractJudith Butler’s idea of gender as performative is brought into dialogue with feminist performance art. Butler’s claim that gender is performative and that it can be changed only through a parodic repetition of performative acts is revisited through the lens of Export’s subversive performance pieces. This “interaction” between theory and art practice shall highlight the political potential of Butler’s work and serve to expand her notion of parody as it pertains more directly to women and the female body.
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