Ontologese and musical nihilism: A reply to Cameron

British Journal of Aesthetics 49 (2):179-183 (2009)
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In a recent essay in this journal, Ross Cameron presents a novel solution to the problem of musical creation.1 The solution is of the ‘using a sledgehammer to crack a nut’ variety, since side by side with a dissolution of the problem of musical creation, his approach, if successful, would yield a swift answer to pretty much every central question in the ontology of art, and, for that matter, to a wide variety of perennial metaphysical difficulties. Nothing of this magnitude should be nonchalantly swept aside. Unfortunately, Cameron's approach does not survive close scrutiny



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Stefano Predelli
Nottingham University

Citations of this work

How to have a radically minimal ontology.Ross P. Cameron - 2010 - Philosophical Studies 151 (2):249 - 264.
The philosophy of music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.
Debugging the case for creationism.Patrick Grafton-Cardwell - 2020 - Philosophical Studies 177 (11):3509-3527.
History of the Ontology of Art.Paisley Nathan Livingston - 2011 - Stanford Encyclopedia of Philosophy.

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