“The Fiction of an Absolute”: Theopoetically Refiguring a Sacred Hauntology

Abstract

This article has no associated abstract. (fix it)

Download options

PhilArchive



    Upload a copy of this work     Papers currently archived: 72,722

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2013-10-27

Downloads
45 (#255,587)

6 months
1 (#388,319)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

B. Keith Putt
Samford University

References found in this work

Fictional Characters and Literary Practices.Amie L. Thomasson - 2003 - British Journal of Aesthetics 43 (2):138-157.
Ingarden and the Ontology of Cultural Objects.Amie Thomasson - 2005 - In Arkadiusz Chrudzimski (ed.), Existence, Culture, and Persons: The Ontology of Roman Ingarden. Frankfurt: pp. 115-136.
Think Naught.Mark C. Taylor - 1992 - In Robert P. Scharlemann & David E. Klemm (eds.), Negation and Theology. University Press of Virginia. pp. 25--38.

Add more references

Citations of this work

No citations found.

Add more citations

Similar books and articles

Fiction as a Genre.Stacie Friend - 2012 - Proceedings of the Aristotelian Society 112 (2pt2):179--209.
La Fête Perdue.Horia Bádescu - 2008 - Cultura 5 (2):83-88.
The Sacred in the Visual Arts.Isabelle Sabau - 2008 - Proceedings of the Xxii World Congress of Philosophy 1:239-246.
Truth and Reference in Fiction.Stavroula Glezakos - 2012 - In Gillian Russell & Delia Graff Fara (eds.), Routledge Companion to the Philosophy of Language. Routledge.
Ayn Rand's Influence on American Popular Fiction.Jeff Riggenbach - 2004 - Journal of Ayn Rand Studies 6 (1):91 - 144.