Hybris, Revista de Filosofí­A 12 (1):157-192 (2021)

Abstract
This article tries to display some of the postulations that the German psychologist Rudolf Arnheim sketched out in his 1959 text Form and the consumer. It’s sustained that these postulations conclude that the artistic form is widely implicated in the confrontation of culture and a particular time, so if a crisis in form is to be taken as true, what is to come is an epochal twilight produced by a destabilization in its sense. Throughout this writing, the idea of a crisis in culture is to be confronted with the apparent symbolic crisis of art, examining the consequent question about the loss of a narrative in the work of art.
Keywords fantasy, perception, representation, apprehension.  fantasía, percepción, representación, aprehensión
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DOI 10.5281/zenodo.4884949
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References found in this work BETA

Art and Visual Perception: The New Version.Rudolf Arnheim - 1976 - Journal of Aesthetics and Art Criticism 34 (3):361-364.
Por qué soy Católico.G. K. Chesterton - 2010 - The Chesterton Review En Español 4 (1):11-18.
The Return of the Real.Hal Foster - 2001 - Journal of Aesthetics and Art Criticism 59 (1):103-105.

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