Philosophy and Film: Bridging Divides

New York: Routledge Press, Research on Aesthetics (2019)

Authors
Christina Rawls
Roger Williams University
Diana Neiva
Universidade do Minho
Abstract
This unique collection brings together internationally recognized scholars of film, philosophy, and the philosophy of perception and aesthetics, as well as many established philosophers working on the Film as Philosophy problem. It also includes several young scholars working currently in the philosophy and film genre. It is especially poised to be used in university undergraduate and graduate courses, but appeals to the larger, more general audience as well as to those working in these particular areas of specialization. Philosophy in motion...
Keywords film  aesthetics  film as philosophy  cinema studies
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References found in this work BETA

Movies, Narration and the Emotions.Noel Carroll - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. Routledge. pp. 209-221.
The Bold Thesis Retried: On Cinema as Philosophy.Paisley Livingston - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. New York: Routledge. pp. 81-91.
Philosophical Dimensions of Cinematic Experience.David Davies - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. New York: Routledge. pp. 135-156.
Are There Definite Objections to Film as Philosophy? Metaphilosophical Considerations.Diana Neiva - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. Nova Iorque, NY, Estados Unidos: pp. 116-134.
Philosophical Experience and Experimental Film.Chris Falzon - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. New York: Routledge. pp. 159-173.

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Citations of this work BETA

Movies, Narration and the Emotions.Noel Carroll - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. Routledge. pp. 209-221.
The Bold Thesis Retried: On Cinema as Philosophy.Paisley Livingston - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. New York: Routledge. pp. 81-91.
Philosophical Dimensions of Cinematic Experience.David Davies - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. New York: Routledge. pp. 135-156.
Are There Definite Objections to Film as Philosophy? Metaphilosophical Considerations.Diana Neiva - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. Nova Iorque, NY, Estados Unidos: pp. 116-134.
Philosophical Experience and Experimental Film.Chris Falzon - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. New York: Routledge. pp. 159-173.

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Similar books and articles

Paul Bowman, Ed. Rancière and Film. Reviewed By.Nina Belmonte - 2016 - Philosophy in Review 36 (2):50-53.
The Ethos of Cinema.Martin Seel - forthcoming - Contemporary Aesthetics.
Philosophy Through Film.Christopher Falzon - 2013 - Internet Encyclopedia of Philosophy.

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