Nordic Journal of Aesthetics 23 (44-45) (2013)

Abstract
The article presents three models of radical cultural practice: Adorno’s dissonant modernism, Brecht’s “functional transformation” or “re-functioning” of institutions through estrangement and dialectical realism, and Debord’s Situationist détournement of art, aiming to rupture and decolonize naturalized everyday life. The three models all begin with a critical appropriation of the traditions of art and aims at resisting the social power that passes through art, as an institutionalized field of production and activity. Each of the three modes establishes a set of productive strategies
Keywords Critical art  Adorno  Debord  Brecht
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Reprint years 2014
DOI 10.7146/nja.v23i44-45.8182
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