Humanistika med znanostjo in umetnostjo Humanities between Science and Art
Abstract
V svojem predavanju imam »humanistiko« za skupek disciplin, katerega jedro tvorijo duhoslovne znanosti – Geisteswissenschaften. Zgodovino oziroma zgodovinopisje pa imam za paradigmatični primer humanistične znanosti, ki se razprostira med dvema poloma znanosti in umetnosti. Na enem koncu imamo postopke, povezane z ravnanjem z arhivi, na drugem pa vrsto besednih izrazov, zaradi katerih je zgodovina del literature. Vmes je dihotomija med razlago in razumevanjem, namreč obseg sredstev, s katerimi zgodovinarji skušajo odgovoriti na vprašanja kot: »Zakaj se je zgodil ta dogodek, zakaj so ti ljudje naredili to in to?« Ta razlagalna sredstva s stavkom zato – lingvistično značilnostjo vseh odgovorov na vprašanje zakaj? - ravnajo na različne načine; vemo pa, kako raznolika je lahko raba stavka zato. Spoj razlage in razumevanja med poloma dokumentaristike in literature, je dober primer zmesi znanosti in umetnosti v celotnem zgodovinskem procesu.My lecture takes “Humanities” to be the collection of disciplines, the core of which is the human sciences – Geisteswissenschaften. History or historiography on the other hand provides a paradigmatic example of human sciences, which expands between two poles of science and art. On the one side, there are procedures related to archive management, and on the other a number of lexical expressions which make history part of literature. In between there is a dichotomy between interpretation and understanding, i.e. a scope of means with which historians attempt to answer the questions such as: “Why has this event taken place, why have these people done this and that? In the because sentence, these interpretative means– linguistic feature of all answers to the question why? – behave in various ways; it is well-known, however, how numerous and various the usage of the sentence because can be. The combination of interpretation and understanding between the poles of documentaries and literature provides an excellent example of the mixture of science and art in the historical process as a whole.