Music as atmosphere. Lines of becoming in congregational worship

Lebenswelt. Aesthetics and Philosophy of Experience 6:80-111 (2015)
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Abstract

In this paper I offer critical attention to the notion of atmosphere in relation to music. By exploring the concept through the case study of the Closed Brethren worship services, I argue that atmosphere may provide analytical tools to explore the ineffable in ecclesial practices. Music, just as atmosphere, commonly occupies a realm of ineffability and undermines notions such as inside and outside, subject and object. For this reason I present music as a means of knowing the atmosphere. The first part of this paper points to the limits of an understanding of atmosphere as a constellation of things, as proposed by Gernot Böhme. In contrast to this, Hermann Schmitz conceptualises atmosphere as half-thing which suggests movement. Drawing on this, I propose to methodologically approach atmospheres as movements. Consequently, in the second part of this paper I closely analyse two motions as they cohere in Closed Brethren worship services: first, becoming (Deleuze and Guattari), a movement on the level of the individual worshiper; secondly, territorialisation (Deleuze and Guattari), a movement of the atmosphere towards its solidification. Here music as atmosphere is not a system of moral signification but a generative power affording intimate processes of divine encounter, whilst producing affective denominational difference.

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Citations of this work

Atmosphere.Friedlind Riedel - 2019 - In Jan Slaby & Christian von Scheve (eds.), Affective Societies: Key Concepts. New York: Routledge. pp. 85-95.
Feeling at one: Socio-affective distribution, vibe, and dance-music consciousness.Maria A. G. Witek - 2019 - In Ruth Herbert, Eric Clarke & David Clarke (eds.), Music and Consciousness 2: Worlds, Practices, Modalities. Oxford: Oxford University Press. pp. 93–112.
Music and Consciousness II.Clarke David, Herbert Ruth & Clarke Eric (eds.) - forthcoming - Oxford University Press.

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