Using the Street for Art: A Reply to Baldini

Journal of Aesthetics and Art Criticism 74 (2):191-195 (2016)
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Abstract

I reply to Andrea Baldini's critical discussion of my "Street Art: The Transfiguration of the Commonplaces" (2010) by taking up the question: what is "the street" in street art? I argue that the relevant notion of the street is a space whose function it is to facilitate self-expression. I show how this clarifies and extends the theory developed in Riggle (2010). I then argue, contra Baldini, that street art is not always subversive, and when it is, it is not always in virtue of its challenging the co-opting of public space by commercial art.

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Nick Riggle
University of San Diego

Citations of this work

Of Materiality and Meaning: The Illegality Condition in Street Art.Tony Chackal - 2016 - Journal of Aesthetics and Art Criticism 74 (4):359-370.
Street Art, the Discontinuity Thesis, and the Artworld.Jeanette Bicknell - forthcoming - Journal of Aesthetics and Art Criticism.
On Tags and Conceptual Street Art.Elisa Caldarola - 2021 - Philosophical Inquiries 2:93-114.

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References found in this work

Street Art: The Transfiguration of the Commonplaces.Nicholas Alden Riggle - 2010 - Journal of Aesthetics and Art Criticism 68 (3):243-257.
Street Art: A Reply to Riggle.Andrea Baldini - 2016 - Journal of Aesthetics and Art Criticism 74 (2):187-191.

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