A social epistemology of aesthetics: belief polarization, echo chambers and aesthetic judgement

Synthese 191 (11):2513-2528 (2014)
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Abstract

How do we form aesthetic judgements? And how should we do so? According to a very prominent tradition in aesthetics it would be wrong to form our aesthetic judgements about a particular object on the basis of anything other than first-hand acquaintance with the object itself (or some very close surrogate) and, in particular, it would be wrong to form such judgements merely on the basis of testimony. Further this tradition presupposes that our actual practice of forming aesthetic judgements typically meets, or at least approximates, this ideal. In this paper I target this descriptive claim and argue—by appeal to some empirical work concerning belief polarization and echo chambers in aesthetics—that our actual practice of forming aesthetic judgements is heavily dependent on social sources such as testimony. I then briefly consider what normative implications this descriptive claim may have.

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Jon Robson
Nottingham University

Citations of this work

Echo chambers and epistemic bubbles.C. Th Nguyen - 2020 - Episteme 17 (2):141-161.
An Absolutist Theory of Faultless Disagreement in Aesthetics.Carl Baker & Jon Robson - 2017 - Pacific Philosophical Quarterly 98 (3):429-448.
What’s so bad about echo chambers?Christopher Ranalli & Finlay Malcom - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.

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References found in this work

Testimony: a philosophical study.C. A. J. Coady - 1992 - New York: Oxford University Press.
Critique of judgement.Immanuel Kant - 2007 - New York: Oxford University Press. Edited by Nicholas Walker.

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