Cités 16 (4):177- (2003)
| Abstract |
Dans la galerie des monstres que l’histoire tératologique de la politique développera, une dimension constamment rémane : la sursexualisation du Prince, la déification de et par la puissance virile. Le membre dressé du Prince devient la métaphore euphorique de l’érection d’un pouvoir, son porte-bonheur. Symbole de sa toute-puissance, lieu privilégié de son affirmation, le sexe..
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| DOI | 10.3917/cite.016.0177 |
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