Este artículo se propone indagar en la función del arte en la fenomenología de la donación de Jean-Luc Marion y su relación con la hermenéutica. La pintura desempeña un papel fundamental pues constituye el “modelo” que permite entender el carácter radicalmente pasivo de la administración hermenéutica de la distancia entre lo que se da y lo que se muestra.This article aims to investigate the role of art in Jean-Luc Marion’s phenomenology of givenness and its relationship with hermeneutics. Painting plays a fundamental role because it constitutes the “model” that facilitates understanding the radically passive character of the hermeneutic management of the gap between what gives itself and what shows itself.
Keywords No keywords specified (fix it)
Categories No categories specified
(categorize this paper)
DOI 10.5944/rif.13.2016.29620
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Translate to english
Revision history

Download options

PhilArchive copy

Upload a copy of this paper     Check publisher's policy     Papers currently archived: 71,464
External links

Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library

References found in this work BETA

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles

El problema de la donación en la fenomenología de J.-L. Marion.Jorge Roggero - 2019 - Areté. Revista de Filosofía 31 (1):191-215.
Dios: “¿Ser O Don?”.Carlos Arboleda Mora - 2009 - Escritos 17 (38):14-53.
Jean-Luc Marion: ¿fenomenólogo?Azul Katz - 2019 - Areté. Revista de Filosofía 31 (2):377-395.


Added to PP index

Total views
1 ( #1,553,273 of 2,520,787 )

Recent downloads (6 months)
1 ( #405,623 of 2,520,787 )

How can I increase my downloads?


Sorry, there are not enough data points to plot this chart.

My notes