Danto and His Critics
Mark Rollins (ed.)
Wiley-Blackwell (1993)
Abstract
Updated and revised, the Second Edition of _Danto and His Critics_ presents a series of essays by leading Danto scholars who offer their critical assessment of the influential works and ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the Department of Philosophy at Columbia University and long-time art critic for _The Nation_. Reflects Danto's revisions in his theory of art, reworking his views in ways that have not been systematically addressed elsewhere Features essays that critically assess the changes in Danto's thoughts and locate Danto's revised theory in the larger context of his work and of aesthetics generally Speaks in original ways to the relation of Danto's philosophy of art to his theory of mind Connects and integrates Danto's ideas on the nature of knowledge, action, aesthetics, history, and mind, as well as his provocative thoughts on the philosophy of art for the readerAuthor's Profile
Reprint years
2012
Call number
B945.D364.D36 1993
ISBN(s)
9781118253007 9781118253014 9781118252987 063118337X 0631183388 9780470673447 0470673443
DOI
10.2307/2956367
My notes
Similar books and articles
The Philosophy of Arthur C. Danto.Arthur C. Danto, Ewa D. Bogusz-Boltuc, David Reed, Sean Scully, Thomas Rose & Gerard Vilar - 2013 - Open Court.
The Wake of Art: Essays: Criticism, Philosophy and the Ends of Taste.Arthur Coleman Danto - 1998 - G+B Arts Int'l.
Encounters and Reflections: Art in the Historical Present.Arthur C. Danto - 1991 - University of California Press.
Introduction: Danto and his critics: After the end of art and art history.David Carrier - 1998 - History and Theory 37 (4):1–16.
Danto and His Critics Art History, Historiography and After and End of Art.David Carrier - 1998 - Wesleyan University Press.
Tomándose la historia en serio. Danto, esencialismo histórico e indiscernibles.Veronica Tozzi - 2007 - Revista de Filosofía (Madrid) 32 (2):109-126.
Art as appearance: Two comments on Arthur C. Danto's after the end of art.Martin R. Seel - 1998 - History and Theory 37 (4):102–114.
Essentialism and historicism in Danto's philosophy of art.Michael Kelly - 1998 - History and Theory 37 (4):30–43.
Responses and replies.Arthur C. Danto - 1993 - In Mark Rollins (ed.), Danto and His Critics. Blackwell. pp. 193--216.
Afterwords: An introduction to Arthur Danto's philosophies of history and art.Lydia Goehr - 2007 - History and Theory 46 (1):1–28.
Why is substitutional theory of representation inconsistent when combined with traditional aesthetics? Review of A.C. Danto’s philosophy of art.Stefan Ristic - 2006 - Filozofija I Društvo 2006 (29):163-178.
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Citations of this work
The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation.Nicolas J. Bullot & Rolf Reber - 2013 - Behavioral and Brain Sciences 36 (2):123-137.
Educating the design stance: Issues of coherence and transgression. Commentary on Bullot & Reber.Norman H. Freeman & Melissa L. Allen - forthcoming - Behavioral and Brain Sciences.
Exposure, experience, and intention recognition: Take it from the bottom.Mark Rollins - 2013 - Behavioral and Brain Sciences 36 (2):154 - 155.
Questioning the necessity of the aesthetic modes.Katherine Tullmann - 2013 - Behavioral and Brain Sciences 36 (2):160 - 161.