Exposure, experience, and intention recognition: Take it from the bottom

Behavioral and Brain Sciences 36 (2):154 - 155 (2013)
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The psycho-historical account implies two ways of construing the relation of basic exposure to the artistic design stance and artistic understanding. One is empirically dubious and the other does not fit well with the account. The assumption that combining psychology with history requires identifying actual intentions is undermined by the artistic design stance



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Mark Rollins
Washington University in St. Louis

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References found in this work

The Intentional Stance by Daniel Dennett. [REVIEW]Sydney Shoemaker - 1990 - Journal of Philosophy 87 (4):212-216.
The Pleasures of Aesthetics: Philosophical Essays.Stephen Davies - 1996 - Journal of Aesthetics and Art Criticism 57 (3):371-374.
What monet meant: Intention and attention in understanding art.Mark Rollins - 2004 - Journal of Aesthetics and Art Criticism 62 (2):175–188.
Danto and His Critics.Mark Rollins (ed.) - 1993 - Wiley-Blackwell.
Theories of Art Today.Noel Carroll (ed.) - 2000 - University of Wisconsin Press.

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