Abstract

Søren Kierkegaard’s (1813-1855) works have as their starting point, aside from a couple of newspaper articles published around the middle of the decade of the 1830s, a literary review of a novel written by a contemporary of his who was to achieve international fame still in life, viz. the writer Hans Christian Andersen (1805-1875). Notwithstanding, I argue that what was meant to be a literary review hides a vigorous anticipation of a problem that was meant to interest Kierkegaard throughout his entire production, that is, the problem of nihilism. In this sense, the present article is based on a reading of both Andersen’s novel as well as Kierkegaard’s review, which leads me to explore the more profound connotations of Kierkegaard’s critique of the former also in terms of the context these works were produced. In sum, my argument is that both Andersen and Kierkegaard were dealing with the first signs of the arrival of nihilism in Denmark