David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
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Cambridge University Press (1996)
In Mourning Becomes the Law, Gillian Rose takes us beyond the impasse of post-modernism or 'despairing rationalism withour reason'. Arguing that the post-modern search for a 'new ethics' and ironic philosophy are incoherent, she breathes new life into the debates concerning power and domination, transcendence and eternity. Mourning Becomes the Law is the philosophical counterpart to Gillian Rose's highly acclaimed memoir Love's Work. She extends similar clarity and insight to discussions of architecture, cinema, painting and poetry, through which relations between the formation of the individual and the theory of justice are connected. At the heart of this reconnection lies a reflection on the significance of the Holocaust and Judaism. Mourning Becomes the Law reinvents the classical analogy of the soul, the city and the sacred. It returns philosophy, Nietzsche's 'bestowing virtue', to the pulse of our intellectual and political culture.
|Keywords||Postmodernism Reason Representation (Philosophy|
|Categories||categorize this paper)|
|Buy the book||$13.99 used (70% off) $32.58 new (30% off) $45.99 direct from Amazon Amazon page|
|Call number||B1649.R73.M68 1996|
|ISBN(s)||0521578493 052157045X 9780521578493|
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John Baldacchino (2014). Art's False “Ease”: Form, Meaning and a Problematic Pedagogy. Studies in Philosophy and Education 33 (4):433-450.
Pamela Sue Anderson (2006). Life, Death and (Inter)Subjectivity: Realism and Recognition in Continental Feminism. [REVIEW] International Journal for Philosophy of Religion 60 (1/3):41 - 59.
Vincent Lloyd (2008). The Secular Faith of Gillian Rose. Journal of Religious Ethics 36 (4):683-705.
Tomasz R. Okon (2006). "Nobody Understands": On a Cardinal Phenomenon of Palliative Care. Journal of Medicine and Philosophy 31 (1):13 – 46.
Pamela Sue Anderson (1999). Tracing Sexual Difference: Beyond the Aporia of the Other. [REVIEW] Sophia 38 (1):54-73.
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