Abstract

This interview covers topics related to Everyday Aesthetics and confirms the multi-faceted, rich and inclusive environment surrounding Nino Migliori,1 both as a human being and as a photographer. In particular, the experience from some of his workshops reveal how such concepts as space and time, playing and experiencing, amplify and broaden the classic definition of Everyday Aesthetics provided by field literature.2 More generally, this approach also provides a cue to conduct an aesthetic analysis that is free from judgments in taste. This means considering Migliori’s photographic gesture within an everyday life aesthetic perspective and proposing that it is analyzed along a pragmatic course. Therefore, pragmatism-related observations are here brought forward to provide research insights within the nature of Everyday Aesthetics.