Kant on the Imagination: Fanciful and Unruly, or “an Indispensable Dimension of the Human Soul”

Critical Horizons 21 (2):106-129 (2020)
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Abstract

ABSTRACTKant is concerned to give meaning, depth and veracity to the notion of the subject, which he does on transcendental grounds, and also to shift it beyond purely cognitivist formulations. He opens the subject up to other dimensions of the world that he or she establishes – not only the cognitive, but also the political – ethical and the aesthetic. He does this by constructing and denoting different faculties and their principles that ought to be employed in the distinct domains – the understanding, reason in its pure and practical orientations, and the imagination. Whilst practical reason is Kant’s main focus, the imagination is Kant’s unfinished business and is not limited to the issue of aesthetics. It is both reason’s “other”, and “an indispensable dimension of the human soul”, equal in power and capacity to the other faculties.

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John Rundell
University of Melbourne

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References found in this work

The Savage Mind.Alasdair MacIntyre & Claude Levi-Strauss - 1967 - Philosophical Quarterly 17 (69):372.
The Mirror and the Lamp: Romantic Theory and the Critical Tradition.M. H. Abrams - 1953 - Journal of Aesthetics and Art Criticism 12 (4):527-527.
The Critique of Impure Reason.Thomas McCarthy - 1990 - Political Theory 18 (3):437-469.

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