Espes 6 (2):19-29 (2017)

This paper explores the ethical dimensions of aesthetic engagement, the central theme of Arnold Berleant’s aesthetics. His recent works on social aesthetics and negative aesthetics explicitly argue for the inseparability of aesthetics from the rest of life, in particular ethical concerns. Aesthetic engagement requires overcoming the subject-object divide and adopting an attitude of open-mindedness, responsiveness, reciprocity, and collaboration, as well as the willingness and readiness to expose negative aesthetics for what it is. These requirements characterize not only the nature of aesthetic experience but also, perhaps more fundamentally, our mode of being in the world and the accompanying ethical responsibility. Among the present paper’s principal aims is to show how this view of aesthetic and ethical stance is also shared by the important aspects of the Japanese worldview, aesthetics, and artistic practices.
Keywords Arnold Berleant  Japanese aesthetics  aesthetic engagement  negative aesthetics  social aesthetics
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References found in this work BETA

Art as Experience.John Dewey - 1934 - G. Allen & Unwin.
The Sovereignty of Good.Iris Murdoch - 1970 - New York: Schocken Books.
Everyday Aesthetics.Yuriko Saito - 2001 - Philosophy and Literature 25 (1):87-95.

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